Title: CEPHRAEL’S HAND
Genre: Epic Romantic Fantasy
Pages: 634
Outskirts Press
MY 9 READER
“HOT-BUTTON” CONSIDERATIONS
WORLD’S IMMERSION:
We are directed by author Melissa McPhail, to enter this
fifth Age in the Realm of Alorin. As in
all competent high-fantasy writing, rules exist and delineate the nature of
this world; in Ms. McPhail’s weaving hands, illuminating designs are woven
together as puzzling, intersecting strands of mystery. Alorin is drenched in magic but only
revealed, in lifting veils of revelation as to these components. I could clarify what those five strands are
for you, but from what I know of discerning fantasy Readers, such key details
are best left to be discovered “going in…”
A geography of politics and myth combine to comprise a multilevel, world-at-war, at once tactile and energetic in Nature. On ground level, the kingdom of M’Nador, supported by allied kingdoms, Dannym and Veneisia, are in conflict with the Akkad; a battle at The Cry is where we are initially thrust into the action. This war is not simply a clash of forces, but one of beliefs, as M’Nador is also at war to push back the teachings of Akkad’s Prophet. On a higher plane of awareness, beyond the bleeding grunts of the desert, drapes the tragedy of The Adept Wars; this historic clash, of high magic and blood-shed, all leads back to an ancient citadel, and the current awakening of what is dying in Alorin.
Whether one is in search with Trell of the Tides, dipping
down into elemental uncertainty of a node with Franco Rohre, happening upon
mystical retreat of powerful beings in a sa’reyth, contemplating incandescent
Illume Belliel, or simply following the ethereal passage of a fire princess…
Readers are stepping inside the totality of CEPHRAEL’S HAND: A Pattern of
Shadow & Light, Book 1. This
conception captivates the imagination with story-telling of impressive
scope and invention...
SELECTED CHARACTERS /
ICONS:
The rich-in-character, stepping inside each other’s glamour,
painting a world where legends are not merely told, they walk this world and
confirm the stories:
RAIN D’LACOURTE: With diamond eyes that transfix, that know, he
is the fourth vestal and an untarnished soul. This truth-reader, for being a
calm, balanced presence, seems to strike fear into those who have something
dark in their thoughts to hide, who fear being read clearly as if in stark
light. Rain D’Lacourte is legendary for his
own Time.
PRINCE EAN of Dannym:
18 years young of royal val Lorien blood, and sole-remaining heir to the Eagle
Throne. Under Cephrael’s Hand, he had
lost two brothers to tragic events when only a boy. Yet, all this is context, because the young
lad is at the beginning of an immense, mythic journey…
TRELL: He held
off an entire Veniesian army with nothing more than his best friend plus fifty
men. A hero with a sense of genuine
wonder at his world, though for such sharp appreciation, an equal fog of
forgetfulness regarding his own life beyond five years prior. And his message from Naiadithine, “Follow the
water, Trell of the Tides...”
CREIGHTON KELSPATH
“Cray”: “You never get a second
opportunity to make a first impression.” Blood-brother peer of Ean, yet pledged
to his higher status friend. He is love-struck with Katerine.
The SHADE, DAMEN: A shade with a face of living steel, an
unknowable being behind his pale blue hood of mystery. He / It, is at once a phantom from some nightmare, but
then more, a being whose powerful presence exists for some unfathomable service,
some dark, higher purpose…”Ma dieul.”
BJORN VAN GELDERAN: “Failure is the province of the craven and
the dead.” He was the first vestal to
take the oath…a truth-reader, among other things, who disappeared from his
brethren; he has quite possibly, become an eternally turned enemy to the horror
of his own kind. Strange, that evil can
manifest itself behind such a handsome, blue eyed countenance.
ERRODAN VAL LORIEN,
Queen of Dannym: awaiting Prince Ean, her missing son and heir. She is an earthy presence for royalty, nurturing
Life in her own garden. Here is a Queen
who does not stand on her entitlement, but on undying Love.
YSOLDE, a fire
princess: The Queen’s companion, a regal figure of ethereal sensuality,
tempered with a sense of what is dignified and right for the well-being of her
Lady.
FRANCO ROHRE: His
head is dipped low for some shame gnawing at his soul, and yet Franco is still
an espial of significant capabilities…and still more than that, he is somehow honor-bound.
ALYNERI D’GIVERNY,
Duchess of Aracine and Adept Healer: in-your-face diva, quick with a quip to put
others in their place that she does not approve of…she is young still. Beneath her caramel-skinned beauty and
seeming untouchable heart, she has in truth belonged to someone she walked away
from, many years past…and has remained alone ever since.
TANIS: Young truth-reader in training, in service of
Alyneri , and subject to her whims.
NAIIR: “Chaser of
the Dawn,” a drachwyr.
BALAJI: “He Who
Walks The Edge Of The World”
LOGHAIN: a Whisper Lord and Wildling
VAILE: An exotic woman, as adept with deep healing
as she is, dealing death with a blade. A
Zanthyr.
MALACHAI: He wielded Elae to create a fledgling world,
was cast out by the Council of a Thousand Thrones, before appealing to the
darker gods.
STRUCTURAL
APPOINTMENTS:
We follow the action of a multi-level story puzzle by shifting
in and out of ongoing arcs for this ensemble of players. Each character journey registers some measure
of dramatic impact upon the events that are being drawn into collision for the
fate of Alorin. The effect of this
structural technique is to evoke an epic scale to the action, with implications
for fates to all who inhabit this world.
Such a wide range of societal representation and war’s impact on all
levels harkens back to such classics as Les Miserables.
This book is notably the foundation story to a trilogy;
weighing in at 634 pages, the story moves at a pace luxuriating with minute focus
on the personal moments to gigantic personas. So when the thunder cracks and
all of the powers hinted at do rear their full expressive lightning, Readers hold
a full grasp of the stakes…who, what, and why beings are being obliterated….and
have taken the time to care.
“VISUALITY”/ SENSORY
APPEAL:
“There was something truly exotic in her movement, something
elemental; she walked as rising flames, as a breeze caresses the fields of
wheat.” ~ Ysolde, fire princess
M.M. has an appreciation for not simply the wardrobe of
character nor even the classic writers’ practice of examining a face with
scrutiny…but for evoking a poetic effect of character expressed through Nature.
Our senses become engaged because McPhail brings her details into such close
intimacy, that one’s attention becomes
drawn to a fascination for the quality
of specific movement, or for the sensuality of form. Sometimes this poetry gives way toward
something more immediately erotic, in the personal of a character we are
experiencing through, as Trell’s first meeting with Vaile will express:
”Trell clasped wrists with her. ‘Trell,’ he replied in her
chosen language, trying very hard not to look at her breasts, or more
specifically at the protrusion of her hearty nipples as they pressed wetly
against the sheer silk of her bodice. She fights like a warrior, speaks like a
Northman, and dresses like a sultan’s mistress…”
This is romantic adventure, and the experience is not simply
perfunctory, sacrificed to the higher ideologies and master shot of armies
entire, expressing great conflict, no…the fantasy here, is felt directly in the
pantaloons, as much as in one’s higher mind.
One can almost smell some of these characters. The author’s choice-of-details do angle
toward a sensuous immersion.
THEMATIC / MYTHIC
APPEAL:
High fantasy is given deeper layers and lairs, than mere
good versus evil in Cephrael’s Hand; duality of Nature, clear surface features giving way to baffling, inner truths…’things are not what they may
seem’ is practiced in this story. Contrasting
frequencies battle for attention, for what may be learned of human nature, and
much of these lessons have to do with the contents of the contesting minds that
inhabit this world. These contesting
minds insist on their own adamant meanings as to what the strands or the stars,
in their mythical, magical mysteries are revealing: A balance of Existential Interpretations.
The mirror here is one that may be aligned with contrasts and
iconoclasts to be found in a chasm of difference between formal religion and
Nature’s other free-ranging forms of elemental spirituality. Balance, as
Melissa McPhail will expound upon in one of her major themes, is also
emphasized in the oscillation between these polarities.
In this mythic match of Chess, learning the moves between
the players and the played, and how those stars of Cephrael’s Hand tend to doom
those for whom the alignment appears….calls to mind whether one believes in
Fate or Free Will, in Destiny or Chaos (Chance). What is Universal here, is that no matter how
powerful the being is, in this mighty world, every single character has a
healthy dose of fear regarding what the truth of this matrix actually is, and
is uncertain if even their own mighty prowess may out-pace what the
powers-that-be have in store for them. In
this, we may all connect with.
STORY-FLOW:
For me, Cephrael’s Hand was a tougher read than other indie books. At first, the plenty of complex characters
may be overwhelming. In my analysis style, I do not simply read, I make
notation in another file as I go along, including specifics for each character. I earn my absorption of knowledge on a book,
and then translate into a qualitative commentary. To encompass this novel, my notes are the
length of an essay, because this cast of characters are a small army of details. The linguistics chosen, bend the mind in
their extravagance of suitably epic proportions.
And then you get used to the scope, which makes the action
flow with more aligned focus. Once Readers are accustomed to this author’s
syntax or style of story-telling, adjustments become more like when one goes in
for a deep swim. Broaden the
breast-stroke, and luxuriate in the work-out.
INNOVATION /
GENRE-BLEND:
What strikes me as fresh is this High fantasy genre when wedded
with romance of a mature and playful sensuality. Eschewing juvenile fantasy
limitations, as well as realist fantasy vulgarizations, McPhail instead, hikes
up to break her own hallowed ground.
The fantasy construct here, is not simply a flight of
imaginative fancy. The author has
painstakingly interlaced philosophical underpinnings from ranging viewpoints,
and metaphysical mysticism from various spiritual, religious, and cultural
influences. This book is written by an
author who is interested in the world of ideas, and expresses philosophy
through the vantages of various characters, who are exploring BELIEFS by way of
a quest context.
AUTHOR’S VOICE /
LANGUAGE:
Dhabu’balaji’sridanai (da-boo balah gee shree da nye) or
Balaji ~ “He Who Walks The Edge Of The World
I found that reading across the terrains of CEPHRAEL’S HAND
became less about differences in desert, ocean, or forests of conventionality,
and more closely traveling through textures or visual impact of creative
language itself. The author has devised
her own interconnected labyrinth of exotic words, phrases, and implied languages,
constructed around identity of originating nation, character lineage, or
culture…and usually all three, being influencers; this is a challenge, but rewarding once the
Reader becomes accustomed to the complexity, which has not been dumbed down for
easy retention. It is actually the opposite here, because the author opted for
linguistic complexity with depth of meaning.
Srivas’rhakarakek (Shreesvas rah kara keck) or Rhakar ~ “The
Shadow of the Light”
THE AFTER RESONANCE:
“We must ride the river, no matter how interminably slow its
current may seem, and trust that the river is taking us where we need to go.”
This is a large novel encompassing great ideas, and the journeying
arcs for a clutch of heroes and anti-heroes. Readers are meant to become lost
within these pages as the journeying characters themselves; become lost with
demi-gods, demons, and royalty, in the divination of their own brightening
dawns, and tragic twilight downfalls.
The author maintains her unifying eye on linking the myriad fates and
fortunes of the other players who share this game. One of the ways M.M. accomplishes this pattern
of connections is by being-type or lineage in this magical culture’s
organization, which necessitates their gravity, forever pulling them together. In a deeper creative sense, patterns swirl to interconnect the very essence of all that Alorin is.
Melissa McPhail has included ROMANTIC in this high fantasy construct, which is excellent news for Readers who would wish to be entranced along the epic journey. This is not a fantasy typically following the small and insignificant player who becomes the key…these characters are dramatic, powerful ~ even near mythic players ~ many are sensual, sexual, and elegant visualizations. We want to associate with these beings, probe to the heart of their mysteries, and become absorbed in their alluring presences…
Melissa McPhail has included ROMANTIC in this high fantasy construct, which is excellent news for Readers who would wish to be entranced along the epic journey. This is not a fantasy typically following the small and insignificant player who becomes the key…these characters are dramatic, powerful ~ even near mythic players ~ many are sensual, sexual, and elegant visualizations. We want to associate with these beings, probe to the heart of their mysteries, and become absorbed in their alluring presences…
The strength of this story as a whole lies in the enormity
of McPhail’s game-plan, which is not less than a multi-layered, original mythology
with its own pantheon, while wending philosophy, spirituality, and romantic
adventure. I admire the ambitious scope of author Melissa McPhail’s vision. I enjoyed these underlying ties of great friendships under dramatic duress. I have always felt that deep fantasy writing
addresses an inner need or wish in the Reader, that this Life of ours ought to
have great purpose, and that our friendships in a romantic world, could link us
with the most mysterious, captivating, important, and passionate people…even
the most fearsome opponents. CEPHRAEL’S
HAND is epic fulfillment of the romantic ideal in High Fantasy promise….and
this is book one.
Begin the epic journey with Melissa McPhail's CEPHRAEL'S HAND and Outskirts Press, here:
To continue series, "A Pattern of Shadow & Light" with book 2, THE DAGGER OF ADENDIGAETH:
Andre, thank you so much for this wonderfully insightful discussion of the important elements of my novel. With the detail and careful consideration that you put into every portrait, taking on an epic fantasy of the scope of my novel is definitely a task.
ReplyDeleteI'm so grateful for your interest and thrilled by your rich and elaborate discussion of Cephrael's Hand's themes, characters and philosophy.
I'm truly honored.
As am I, Melissa, for our friendship and writers' exchange across the waves :) We both love writing, and I would love to ask you... in your process working through the third book in your series, have you come to any fresh realizations regarding either your craft, or what this forthcoming novel is asking of you?
ReplyDeleteWhat an interesting question! One of the greatest challenges in epic fantasy is battling the spiraling effect of stories with a scope as broad as the world they're discussion. As an epic fantasy author, you're writing from so many viewpoints, so many characters, so many story threads...it can be daunting trying to keep up with them all, much less keep their threads interesting to the reader.
ReplyDeleteBook three has required me to evaluate each story thread newly with an eye toward its more salient points. I don't want to make the mistake of some other authors and turn a five book series into a ten book series because I keep expanding the scope. Yet...sometimes to tell the story properly, you need all of those threads woven into the whole.
I've had to wrestle with a number of new difficulties in confronting this third installment of the story simply because it's starting to feel a little out of control. For me, it always comes back to finding balance - in the characters, in the storylines, in life.